Far out Scandinavian jazz session ! The music was supposed to be used
for a ballet on TV, can you imagine that ? It’s so groovy, so
psychedelic… Well, and there are some abstract funk breaks here too, and
a superb cover.
From the so-so material, production, and arrangements on this album, you
wouldn't guess that this was the same singer/songwriter responsible for
"Morning Dew." Recorded in Nashville, it's a forgettable period piece,
falling somewhere between singer/songwriter folk-rock and MOR
country-pop. Dobson has a nice high voice, but it's not outstanding, and
certainly can't compensate for lukewarm songs, whether written by
herself or others. And that brings up another issue with this LP: only
three of the twelve songs were penned by Dobson, and although some of
her choices of outside composers to cover were astute (Ralph McTell, Jackson Frank),
she didn't have enough personality to carry the tunes as an
interpretive artist. She sounds best when the arrangements are simplest,
which is rare on this record for instance, her version of "A Taste of
Honey" (yes, the same pop tune the Beatles
once covered) starts off well as a kind of folk arrangement, and then
gets dampened by horns. The best track is the original "Light Of Love"
a melancholy breakup song, though even this isn't so hot or
appropriately arranged.
Recorded live at the Jericho Club in Los Angeles, this album shows how
Ron Eliran captivates his audience with his special blend showmanship,
talent, and creativity.
Born September 26, 1945 in Salvador, Bahia, Brazil, passed away on November 9, 2022.
One of the most mindblowing albums ever recorded – anywhere, anytime!
This 1969 set stands as one of the greatest records ever cut by Gal
Costa – done at the height of the Tropicalia movement, and featuring a
sublime mix of styles that really gets the spirit of the movement right.
Arrangements are by the legendary Rogerio Duprat – who effortlessly
shifts the backings between stark electronics, sweet bossa, gliding
strings, jazzy piano, and baroque orchestrations that dance around with a
surprising amount of grooves! Tunes include some classics by Caetano
Veloso, Jorge Ben, and Gilberto Gil – served up in amazing new versions
by Gal and Duprat!
A fantastic album – with a really groovy approach! The record is the
only one we've ever seen from arranger Jean Leccia – and it's got a
two-vocal lead approach that's pretty darn great. Soul singer Pat
Henderson joins up with male vocalist Ed Whiting – in a style that's
part harmony, but which also has a focus on the solo leads from time to
time. Leccia's arrangements are a mix of bouncy jazz and dreamy pop –
sweet and slow at times, but with some majestically groovy moments at
others – baroquely skipping alone in a style that reminds us of some of
the best European vocal groovers of the time, mixed with a healthy dose
of California sunshine pop!