This 12" version of "Features" is an absolute Italian masterpiece in both it's arrangement & production--excellent sonics too. The synth bass coupled with the acoustic rhythm guitars is something not heard too often, and works fantastically here. Excellent!
The Frightnrs have plenty more to say here – and they say it in a really
sharp-edged approximation of older rocksteady modes! The group are
contemporary, but like the best acts on Daptone, they've got an
instantly classic feel – thanks to instrumentation and production that
take us right back to late 60s Kingston, but with some of the sharper
funky currents we've come to expect from the label! And while The
Frightnrs may pitch themselves as an old school reggae act, they're also
one that have a heavy dose of soul – almost a late night New Jersey
current to their music at times – as if the All Platinum/Stang label put
out their own version of Jamaican soul.
One of the few rare albums on the Maple label – a 70s imprint that's
known for some incredible funk and soul! Despite the title, the set's a
record that sounds a lot more down-home than uptown – thanks to
hard-wailing vocals from Gloria Barnes herself, and a nicely rough-edged
quality to the instrumentation overall – supposedly handled by Lee
Moses and The Ohio Players – the latter of whom wrote a few of the songs
too! The album's one of the few on Maple – and in a way, it's almost a
female soul counterpart to the Lee Moses record on the same label –
done in a similar mix of rootsy modes and east coast indie soul –
occasionally sweet at points, but mostly deep soul overall.
In 1970, international recognition came when Bob and Marcia recorded
Nina Simone’s ‘Young, Gifted and Black’, which sold 1/2 million in the
UK and Europe, and still receives frequent airplay today. BOB &
MARCIA became household names, appearing on Top of the Pops and touring
extensively. They had another UK Top Ten single and two albums for
Trojan Records. These two albums are now reissued on one cd. The cd
offers an interesting bonus track: the Jamaican mix of ‘Young, Gifted
and Black’, the hit song without the annoying strings that were added in
London.
Wonderful -- and one of our favorite soundtracks ever! The score was
written by German jazzman Peter Thomas -- and has a mad mad mad style
that blends together jazz, early electronics, bossa nova, Hammond organ
-- and a dozen other musical touches you'd never really expect to
encounter up in space! But it's the future, circa 1966 -- and what
better way to explore that territory than by taking the mod grooves of
the 60s, and "space-ifying" them a bit? The whole thing's tremendous --
funky, groovy, magical -- and one of those albums we've treasured for
years!
Terry Callier's first album for Cadet -- and the kickoff of one of the
greatest three album runs that any soul artist ever recorded! This
one's got a different feel than the later two, as it takes songs by
Terry, and structures them with these little musical "seque" tracks in
between every song, done in a sparer folksy style that recalls Terry's
roots in the Old Town scene in Chicago. At the time, Terry was making
the transition from folk artist to soul singer -- and he'd been picked
up by Jerry Butler and The Dells as a promising young songwriter, one of
the best talents of the second generation of Chicago soul stars. The
record's a stripped-down affair that features a small group with Charles
Stepney on harpsichord and organ, Callier on guitar, and backing vocals
by Minnie Riperton, Shirley Wahls, and Kitty Haywood.
Classic 70s female soul – and one of the best albums ever recorded by
Love Unlimited – a trio of ladies recording with Barry White during his
glory years! The album's got a really incredible approach – partly in
the mode of older female group soul, but also done with a hipper, more
righteous style – one that pushes the sound past older standards for the
music, yet which falls into none of the disco cliches of the time.
Taste :
Love Unlimited - Share A Little Love In Your Heart