Σατιρική κατά βάση ταινία, βασισμένη σε διασκευή τριών Νεκρικών Διαλόγων
του Λουκιανού και μεταφορά τους στην ιστορική συγκυρία της δεκαετίας
του ’60, όπου τα καινά δαιμόνια του χιπισμού και των ανατολικών δοξασιών
είχαν εισβάλει στη δυτική κοινωνία. Η όλη υπόθεση αφορά στη, λόγω
ασύμπτωτων κριτηρίων, αδυναμία μιας επιτροπής καλλιστείων να εκλέξει την
ομορφότερη διαγωνιζόμενη. Έτσι ο Πάρις αναλαμβάνει να εκλέξει από μόνος
του την ωραιότερη κοπέλα και βαθμηδόν περιέρχεται σε μεγάλη σύγχυση,
καθώς διαπιστώνει παντού ένα σωρό ανατροπές που φέρνουν κατάπτωση των
ηθών και των σεπτών προτύπων.By tainiothiki.gr
Σκηνοθέτης : Γιώργος Εμιρζάς
Μουσική : Σταύρος Ξαρχάκος
Η μουσική των τίτλων και της σκηνής στο κόττερο ειναι του Γιώργου Ρομανού
Taking into account Nino Ferrer's personal view of his discography, the album Nino and Radiah
should be perceived as his third album (although chronologically this
was in fact number seven). It followed the prog rock approach of 1971's Métronomie and the rock & roll leanings of the Mickey Finn collaboration Nino Ferrer & Leggs from 1973. The album is partly named after Afro-American singer Radiah Frye, and her pinup presence flanking Ferrer substantially upgraded the original album cover. Accompanied by the Lafayette Afro Rock Band (aka Ice), Ferrer set out on yet another shape-shifting exercise.
Nino and Radiah is in fact up there with classics like Melody Nelson and Polnareff's.By AMG
P.s Songs "The Garden" with its lazy organ and the bongo-laden "New York" sound fairly close to what the French band Air would build an entire career on.
GRUPA 220 was formed in 1966, in Zagreb, Croatia (ex-Yugoslavia) with
members of bands "Ehosi" and "Jutarnje zvijezde" . They had their first
gig in october the same year. In december they record their first song
"Osmijeh" which becomes a big hit right away. Very soon they become one
of the most popular bands in former Yugoslavia. Long hairs and "flower
power" clothes attracted lot of young people. Flowers were the tickets
for their concerts. In 1967 and 1968 Drago Mlinarec (vocal and guitar)
composed music for two films "Protest" and "Tri sata ljubavi". They take
part in "Zagreb 68" and "Split 68" festivals, and also first "Pop
festival" in Zagreb. Grupa 220 released the first rock long play record
in ex-Yugoslavia "Naši dani". They played as support band on the
concerts of Marmelade, Status Quo and Mungo Jerry when they were touring
ex Yugoslavia 1968. 1971 Drago Mlinarec leaves the band and goes solo.
Grupa 220 continues to exist and record without him till 1975 when they
split up.By Jugo Rock Forever
Britxotica - London's Rarest Primitive Pop & Savage Jazz
Label : Trunk
Value :
Not exotica, but Britxotica – a cool variant of the American postwar
love of the sounds of the islands and the jungles – served up here in a
really hip batch of tracks from the UK scene of the late 50s and early
60s! Many of these numbers are rooted in jazz, and there's definitely
some key jazz musicians in the mix – but you'll also hear lots of the
percussion, global instruments, and moody orchestrations you'd find on
American records by folks like Les Baxter or Martin Denny – although
sometimes with an even groovier vibe, and a nice London twist – similar
to some of the Croydon Municipal compilations from Cherry Red!By Dusty
Britxotica Goes East! – Persian Pop & Casbah Jazz From The Wild British Isles!
Label : Trunk
Value :
Groovy Brit tunes with exotic Far East influences – affectionately
compiled by the deep digging geniuses at Trunk Records! Persian Pop
& Casbah Jazz From The Wild British Isles is an apt description,
alright – as the vibe is very much in a bright, groovy late 50s/early
60s Brit mode, with jazzy pop and hip soundtrack style to spare – with
lyrical and instrumental odes to the Far East that are sweet and
endearing in ways that transcend the cheeky exotica of the time.
Wonderful stuff – with tunes by The Beverley Sisters, Chico Arnez,
Johnny Keating, Tony Osborne, Ray Ellington and more. By Dusty
Taste :
Kenny Day The sheik of Marocco
Tropical Britxotica! – Polynesian Pop & Placid Jazz From The Wild British Isles
Label : Trunk
Value :
The Britxotica sound is back in wonderful form – that fantastic postwar
meeting of musical modes that happened every bit as much on the London
scene as it did in the US! In fact, given the Caribbean and colonial
ties of British culture, we might almost make the argument that some of
these tunes have more of an authentic imprint than American exotica of
the time – although "authentic" is hardly the name of the game here – as
the music really gets its charms from the way that the sounds of the
islands are reworked for the dancefloors of Soho at the end of the 50s. By Dusty
A fab little soundtrack from one of our favorite Italian composers – a
lost gem originally issued in 1971, with a very groovy sound! The score
has Piero Umiliani picking up a bit more funk than usual – working with
electric bass and keyboards to come up with some totally great tracks
that kind of pick up a sexy Euro funk groove from the Serge Gainsbourg
generation, and give it some excellent soundtracky touches in terms of
tone, color, and melody. The tracks are all pretty darn great – bouncy,
sunny, and with funk at just the right moments – and a few nice numbers
even have a bit of scatting vocals, an element that makes them all the
more pleasing to our ears!
A hipster vocal jazz classic – a full length Prestige album that brings
together all of Mose Allison's vocal numbers from his initial run a the
label! Mose started out as a pianist, but quickly won even greater
attention with his down home, New Orleans-influenced way of singing – a
mode that would be copped by many other singers in both rock and soul
for years to come – but which still sounds best, here at the source!
