The Get Down focuses on 1970s New York City - broken down and beaten up, violent, cash strapped -- dying. Consigned to rubble, a rag-tag crew of South Bronx teenagers are nothings and nobodies with no one to shelter them - except each other, armed only with verbal games, improvised dance steps, some magic markers and spray cans. From Bronx tenements, to the SoHo art scene; from CBGBs to Studio 54 and even the glass towers of the just-built World Trade Center, The Get Down is a mythic saga of how New York at the brink of bankruptcy gave birth to hip-hop, punk and disco -- told through the lives and music of the South Bronx kids who changed the city, and the world...forever. - Written by Netflix A rag tag group of teenagers run wild in the streets of the Bronx in the late 70s

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Stanley Turrentine - The Common Touch 1968 (Blue Note)

Label : Blue Note

Value :

A really great later Blue Note session from Stanley Turrentine – a small combo set that's almost a return to the format of earlier years! The group's a strong one – and features Shirley Scott on organ, Jimmy Ponder on guitar, and Leo Morris (Idris Muhammad) on drums – playing in a style that's subtler and more laidback than his work with Lou Donaldson, but which still has a nice funk undercurrent. Stan's horn is in wonderful form on the record – really taking advantage of the longer tracks to open up with a mellow and exploratory tone – and the team of Scott and Ponder especially sounds great next to each other on the album.


Taste :

Stanley Turrentine - Buster Brown

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By Electric Looser

Piero Umiliani - Fischiando In Beat 1968 (Omicron)

Label : Omicron

Value: From 100 to 180 (original press)

We're not entirely sure what "fischiando" means, but we can definitely testify that the album lives up to the "beat" in its title – those kind of groovy, mod tunes we love so much in Italian 60s soundtracks from the great Piero Umiliani! This set's even more obscure than most of those records, though – done for the tiny Omicron sound library, as part of Piero's Sound Workshop series – with a nice mix of jazzy instrumentation on horns, plus a sweet range of keyboards that include Fender Rhodes, Hammond, and even a bit of spinet! Some tunes have bossa rhythms, others are more 60s mod – and the record also features a few sweet bits of whistling and acoustic guitar as well – although the main focus seems to come from the horns and keyboards. Titles include "Yes OK", "Autostop Per Rio", "Fischiando In Beat", "Tokio Blues", "Go Go Go", "Sono Un NJostalgico", and "Samba Mah Na", a great remake of one of Umiliani's famous themes!

Taste :

Piero Umiliani - Fischiando In Beat (full album)

Piero Umiliani - Autostop Per Rio

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By Electric Looser

Electric Looser @ Azor

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Electric Looser @ Azor.

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By Electric Looser 

Spychedelic Sally vol.1 compiled by Electric Looser

Taste :

Artemi Ayvazyan - Caravan Yuri Saulsky - ?
Narassa - Accavallatrice Blackbirds - Girl I'm wondering Lucia Catti Metropolitan Band - Lucia's Dance (Instrumental)

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By Electric Looser

R. D. Burman ‎– Hare Rama Hare Krishna 1971 (Odeon)

Label : Odeon

Value :

Hare Rama Hare Krishna is a 1971 Indian film directed by Dev Anand starring himself, Mumtaz and Zeenat Aman. The film was a hit and a star-making vehicle for Zeenat Aman, who played a westernized hippie, and won the Filmfare Best Supporting Actress Award, as well as the BFJA Award for Best Actress. The movie dealt with the decadence of the Hippie culture. It aimed to have an anti-drug message and also depicts some problems associated with Westernization such as divorce. It is loosely based on the 1968 movie Psych-Out.  The story for Hare Rama Hare Krishna actually came to Dev Anand's mind when he saw hippies and their fallen values in Kathmandu, Nepal where he was on a visit after protests against his previous film Prem Pujari in Calcutta.

Taste :

Asha Bhosle -  Dum Maro Dum

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By Electric Looser

Black Devil - Disco Club 1978 (RCA)

Label : RCA

Value :

Originally released in 1978, Black Devil's "Disco Club" is an extremely rare disco masterpiece, an epic journey into the deepest electronic disco.
The record is credited to Junior Claristidge and Joachim Sherylee, pseudonyms of two french library writers Bernard Fevre and Jacky Giordano, respectively. It was made manually in a recording studio in the suburbs of Paris using synths and occasional tape loops and a drummer. No midi or computers.
According to an interview given by Bernard Fevre in January 2007, Jacky Giordano only financed the recording sessions. His being credited as co-composer was just a deal for recouping his financial investment.

Bernard Fevre came back with a new opus in 2006 under the guise of Black Devil Disco Club although some remixed versions taken from this second album were released under the original Black Devil monicker by the same label.

Taste :

Black Devil - H Friend

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By Electric Looser