Goin Latin, and goin groovy too – thanks to some wonderful arrangements
from Chicago soul legend Richard Evans – who really helps Ramsey Lewis
open up his sound on the set! The format's less straight Latin than you
might expect from the title – and Evans brings in a bouncing, bassy
bottom that's still got a strongly American flavor – not really Latin
Soul, but something of a blend of Latin and bossa elements with some of
Evans' more soul-styled modes of the time! The mix of styles is really
great – Ramsey's Chicago groove taken a bit south of the border – and
tracks include the heavy smoker "Hey Mrs Jones", plus "Summer Samba",
"Free Again", "Blue Bongo", "Function At The Junction", "One Two Three",
"I'll Wait For You", and "Spanish Grease".
"Synthetic Substitution" is a 1973 song by Melvin Bliss. Originally starting life as a throwaway B-Side, with "Reward" as the A-Side, the song failed to chart anywhere on its initial release because of the collapse of Opal Productions, the parent company of Sunburst Records.However, after the song was sampled by Ultramagnetic MCs, many other artists followed suit and eventually the song became one of the most sampled songs of all time.
With the Exciters disbanded in 1971, Herb Rooney was out of a record deal. Having previously written for other artists,Rooney decided to continue down this path. Meanwhile, Melvin Bliss had drifted from stage to stage since leaving the Army in 1957. Looking to boost his career prospects he visited a Queens concert hall intending to use it for self-promotion.Whilst awaiting a meeting with the hall's owner, he encountered the mother of Herb Rooney and it emerged that he wanted a singer to record one of his compositions.After an informal discussion with Rooney himself, Bliss hit the studio to record it.Rooney had intended the A-Side to be Reward and thus presented it to Bliss first.
Value : From 200 to 300 euros (Originally released)
It is 1960, Rock’n’Roll has just lost a couple of its protagonists
during this and the previous year, the time of the great balladeers has
just begun but soon will run out due to the new and exciting beat
invasion. In US mainstream the tiki culture has reached a certain peak
and is about to collapse but still goes strong and with it comes the so
called “exotica” music, a crossover between smooth jazz and swing, Latin
grooves, haunting melodies that are rooted in the folkloristic sounds
from different parts of this world plus weird sound effects that often
create a spooky jungle or dreamy island beach atmosphere. It can even
bend your mind that far you would see palm trees growing out of your
speakers and witness monkeys and parrots having fun in your room.
Eden
Ahbez, born in 1908, passed in 1995, a man living an even more
consistent dropout and hippie lifestyle way before the movement was born
in the mid 60s, a beat poet and composer who wrote the hit tune “Nature
boy” that gave Nat King Cole his first big success in 1947, approaches
the field of exotica music from a different point of view creating an
epic concept album about an utopian society living in peace and harmony
on an island far away from the modern western world as we know it. And
indeed we find many trademarks of the prototypical exotica music
beginning with this relaxed groove combining easy listening swing and
Latin patterns, peaceful, dreamy and even transcendental vocal melodies,
tinges of folk music from around the world including powerful dances
and a whole color palette of mind expanding sounds giving the whole
music an even greater depth and width.
The latter being created entirely
with real instruments such as Eden Ahbez' wood-flute. Some tunes are
rather gentle and relaxed with the lyrics being narrated which adds much
to the epic feel of the album. Since this is a really unique effort, I
cannot really compare it to any other musical piece of the genre but
definitely recommend it to exotic aficionados who for example love Frank
Hunter's "White goddess" album from 1959. Psychedelic music before the
term was even invented.
Γερμανική krautrock μπάντα
που σχηματίστηκε το 1968 στην Κολονία από
τους Irmin Schmidt (κιμpορντς) Michael Karoli (κιθάρα,
βιολί, φωνητικά), Holger Czukay (μπάσο) και JakiLiebezeit (τύμπανα, φωνητικά). Σε επιδραστικοτητα
και υστεροφημία οι Can υπολείπονται μόνο
έναντι των Kraftwerk. Στο "Monster Movie"
(1970) συμμετείχε ο βοκαλιστας Malcolm Mooney,
τον οποίο αντικατέστησε ο Ιάπωνας Damo
Suzuki γιο τα "Tago Mago" (1971), "Ege Bamyasi"
(1972) και "Future Days" (1973). To "Landed"
(1975) ήταν το πρώτο από μια σειρά πιο
επιτυχημένων εμπορικά δίσκων που
κυκλοφόρησαν στην ετικέτα της Virgin.
Σύνολο επιδραστικό για το new wave (ο Pete
Shelley των Buzzcotks έγραψε τα σχόλια στο
εξώφυλλο μιας συλλογής τους) και ακόμη
περισσότερο για μουσικούς όπως ο Bowie
και ο Εnο. Αντιπροσωπευτικό άλμπουμ: "Future Days" (1973).
To Opener ειναι ενα best των Can που κυκλοφορισε το 1976.
O γεννημένος στις 11 Απριλίου 1935 στη Λουιζιάνα, Richard Berry, πέρασε
το μεγαλύτερο μέρος της ζωής του στο Λος Άντζελες. Βρέθηκε εκεί σε
ηλικία ενός έτους. Τα παιδικά του χρόνια ήταν δύσκολα. Έπασχε από
πολιομυελίτιδα. Πάραυτα, την κλίση του στη μουσική την έδειξε από πολύ
μικρή ηλικία όταν σε κατασκήνωση ξεκίνησε να μαθαίνει γιουκαλίλι.Η συνεχεια εδω...
Incredibly great – and one of the best of the late 60s trippy jazz
albums on Impulse! Bill Plummer plays electric sitar with the "Cosmic
Brotherood", a group that includes Tom Scott on saxes and electronics,
Carol Kaye on Fender bass, Milt Holland on tabla, and Mike Craden on a
heck of a lot of weird percussion. The tunes are groovy, "eastern"
sounding, and have a modal jazzy approach that's similar to some of
Scott's work, that of Chico Hamilton, Gabor Szabo, or some of the other
groundbreaking, genre-crossing Impulse artists.
Taste :
Bill Plummer and the Cosmic Brotherhood - Song Plum
Bill Plummer and the Cosmic Brotherhood - The Look Of Love
One of the greatest albums ever by one of the most compelling figures in
Indian music! Ananda Shankar's been chronicled elsewhere and often on
these pages – so by this point, you probably already know that he's a
renegade pioneer who combined funky grooves with sitars and tablas,
forging a whole new sound in Indian music that's still having quite a
bit of influence today. This 1975 album is a stunner – way more
open-minded than his other album for Reprise, with tracks that push the
funky groove a lot farther than you'd expect, swirling percussion,
organ, guitar, tablas, moog, and sitar all together into an unbelievable
sound that will leave you breathless!
