Τετάρτη, 18 Μαρτίου 2015

The Acropols - The Acropols 1968 (Aries)



Label : Aries

Value :

Ξεκινούν σαν Trio Aris με εμφανίσεις σε Γερμανία με τους Άρης Βελιζιώτης,Άρης Σταυρόπουλος και Κώστα Τσακανίκα,. Στο Βέλγιο συναντούν τον Τάκη Φωκά και λίγο αργότερα αλλάζουν το όνομα
τους σε The Acropol Quartet. Μετά από εμφανίσεις σε Quenn Anne και άλλα μαγαζιά της Ελλάδας στο group μπαίνει ο Λάκης Σκουλάτος και ο Γιώργος Κυμινάς. Το 1967 αναχωρούν για το Μεξικό όπου εμφανίζονται στο Hotel Sesional για αρκετό καιρό. Μετά από περιοδεία στην Αμερική επιστρέφουν ξανά στο Μεξικό το 1968 λόγω των Ολυμπιακών Αγώνων όπου εμφανίζονται στο Camino Real. Στο Μεξικό ηχογραφούν και αυτό το δισκάκι.

Taste :

The Acropols - A beautiful girl


The Acropols - Cuore matto




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By Electric Looser



Δευτέρα, 16 Μαρτίου 2015

Edip Akbayram & Dostlar ‎– Ince Ince Bir Kar Yağar/Dağlar Dağladı Beni 1974 (Sayan)


Label : Sayan

Value :

Edip Akbayram’s a frail guy who spent his childhood unable to walk, but once he grew up he was on Istanbul TV in a whitey-fro and knee length colored robes. Akbayram’s voice is big & open, and it took him all across Turkey at the height of Anatolian psychedelia.By Vea

Taste :

Edip Akbayram & Dostlar - Dağlar Dağladı Beni

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By Electric Looser

Πέμπτη, 12 Μαρτίου 2015

Craig Bailey & Κωστα Μαγγινας τριο.

 
Craig Bailey's solo on Funk (K.Maginas) 
 

By Electric Looser

Τα ελληνικά μουσικά συγκροτήματα των sixties.Η ελληνική ποπ σκηνή της δεκαετίας του ’60 (μέσα από τη ματιά του Νίκου Σάρρου) Από τους: Electric Looser και Γιάννη Παναγόπουλο


Ο Νίκος Σάρρος χρειάστηκε 8 χρόνια για να γράψει το μεγαλύτερο ρεπορτάζ της ζωής του. Οι 340 σελίδες του βιβλίου του με τίτλο «Τα ελληνικά συγκροτήματα των 60s» είναι δομημένες πάνω σε δύο αξίες. Την εκτόνωση της, σκέτα, έντονης επιθυμίας του να καταγράψει την ιστορία μουσικών γκρουπ που σχηματίστηκαν στην Ελλάδα (όχι μόνο Αθήνα – Θεσσαλονίκη), στη διάρκεια της δεκαετίας του ’60. Την ιδέα να χαρτογραφηθεί η ποπ – μουσική – κουλτούρα της χώρας σε μία περίοδο που η νεολαία της εποχής κόχλαζε από ανάγκη για δημιουργία. Ο Σάρρος παρουσιάζει κάτι που πριν γράψει άκουσε, διασταύρωσε, έζησε. Σας μεταφέρουμε τις εντυπώσεις του από ένα ταξίδι που ξεκίνησε το 2008 και, απ’ ό,τι φαίνεται, συνεχίζει να απολαμβάνει ακόμα. Η συνεχεια εδω

Το βιβλίο «Τα ελληνικά συγκροτήματα των 60s» θα παρουσιαστεί στο πλαίσιο του φεστιβάλ «Vinil is back».

By Electric Looser

Πέμπτη, 5 Μαρτίου 2015

Ache - Green Man 1971 (Philips)



Label : Philips

Value : From 170 to 250 euros

Esoteric Recordings are pleased to announce a newly re-mastered edition of the classic debut album by Danish Progressive Rock group ACHE. Formed in 1968, with a line-up of TORSTEN OLAFSSON (bass, vocals), FINN OLAFSSON (guitar, vocals), PETER MELLIN (organ, piano) and GLEN FISHER (drums and percussion),
ACHE first came to attention in Denmark with their work DE HOMINE URBANO ("About Urban Man”) which was the first ever Rock ballet, performed by the Royal Danish Ballet Company in Copenhagen in 1969. Influenced by groups such as The Nice, Iron Butterfly and more, ACHE’s music was a powerful Psychedelic Progressive Rock driven by Peter Mellin’s powerful Hammond Organ and the fluid guitar playing of Finn Olafsson. ACHE’s second album,
"GREEN MAN” was released in June 1971 in Europe and was arguably the band’s finest hour, featuring classics such as ‘Equatorial Rain’, ‘The Invasion’ and ‘Shadow of a Gypsy’. Hailed by JULIAN COPE in his on-line DANSKROCKSAMPLER, ACHE’s two albums for Philips are now hailed as Psych / Prog classics.By cherry red

Taste :

Ache -The Invasion



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 By Electric Looser

Πέμπτη, 26 Φεβρουαρίου 2015

Cem Karaca & Apaşlar ‎– Resimdeki Gözyaşları / Şans Çocuğu 1968 (Türkofon)


Label : Türkofon

Value :

He was the only child of Mehmet İbrahim Karaca of Azerbaijani origin,and İrma Felekyan (Toto Karaca) of Armenian origin,a popular opera, theatre and movie actress.

His first group was called Dynamites and was a classic rock cover band. Later he joined Jaguars, an Elvis Presley cover band. In 1967, he started to write his own music, joining the band Apaşlar (The Rowdies), his first Turkish-language group. In the same year he participated in Golden Microphone (Turkish: Altın Mikrofon) contest, a popular music contest in which he won the second place with his song Emrah. In 1969, Karaca and bass-player Serhan Karabay left Apaşlar and started an original Anatolian group called Kardaşlar (The Brothers).

In 1972, Karaca joined the group Moğollar (The Mongols) and wrote one of his best-known songs, "Namus Belası". However, Cahit Berkay, the leader of Moğollar, wanted an international name for his band, and he left for France to take the group to another level. Karaca, who wanted to continue his Anatolian beat sound, left Moğollar and started his own band Dervişan (Dervishes) in 1974. Karaca and Dervişan sang poetic and progressive songs.

In the 1970s, Turkey's image was damaged by political violence between supporters of the left and the right, separatist movements and the rise of Islamism. As the country fell into chaos, the government suspected Cem Karaca of involvement. At times he was accused of treason for being a separatist thinker and a Marxist-Leninist. The Turkish government tried to portray Karaca as a man, who was unknowingly writing songs to start a revolution. One politician was quoted as saying, "Karaca is simply calling citizens to a bloody war against the state." Dervişan was ultimately dissolved at the end of 1977. He later founded in 1978 Edirdahan, an acronym for "from Edirne to Ardahan"; the westernmost and the easternmost provinces of Turkey. He recorded one LP with Edirdahan.

In early 1979, he left for West Germany for business reasons. Turkey continued to spin out of control with military curfews and eventually a military coup on September 12, 1980. General Kenan Evren took over the government and temporarily closed all the nation's political parties. After the coup, many intellectual people, including writers, artists and journalists, were arrested. A warrant was issued for the arrest of Karaca by the government of Turkey.  The state invited Karaca back to the country several times, but Karaca, not knowing what would happen upon his return, decided not to come back.  While he was in Germany, his father died, but he could not return to attend the funeral.

After some time, the Turkish government decided to strip Cem Karaca of his Turkish citizenship, keeping the arrest warrant active.  Several years later, in 1987, the prime minister and leader of the Turkish Motherland Party, Turgut Özal, issued an amnesty for Karaca. Shortly afterwards, he returned to Turkey. His return also brought a new album by him, Merhaba Gençler ve Her zaman Genç Kalanlar ("Hello, The Young and The Young at Heart"), one of his most powerful works. His return home was greeted happily by his fans, but during his absence, Karaca had lost the youthful audience and acquired few new listeners. He died on February 8, 2004 and was interred at Karacaahmet Cemetery in Üsküdar district of Istanbul.By wiki

Taste :

Cem Karaca & Apaşlar - Şans Çocuğu


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By Electric Looser

Δευτέρα, 23 Φεβρουαρίου 2015

The Case of the Three Sided Dream by Adam Kahan


Το ντοκιμαντέρ αυτό, καταγράφει τη (σύντομη) ζωή του Rahsaan Roland Kirk, του βιρτουόζου σαξοφωνίστα, ο οποίος μπορούσε να παίζει ταυτόχρονα με τρία σαξόφωνα, δε δίσταζε μπροστά σε καμία δυσκολία και όπως είπε ο σκηνοθέτης του ντοκιμαντέρ Adam Kahan: “Ακόμη και αν δεν υπήρχαν αρκετά εμπόδια, θα δημιουργούσε μόνος του μερικά ώστε στη συνέχεια να τα υπερπηδήσει, σαν άλλος Δον Κιχώτης”.Το ντοκιμαντερ θα ξανα προβληθει την Τεταρτη 25 Φεβρουαριου.





Για πληροφοριες In-Edit Festival Athens


Taste :

The Case of the Three Sided Dream by Adam Kahan


By Electric Looser